effectively abandoning photography when he moved to the UK to
work as a journalist, he was tempted back into shooting when he found a
1950's 3-D camera in a small Prague camera shop when attending an
Alchemy conference. He started to document London's leading fetish club
for a proposed book in a stereo 3D format and still continues to shoot
for the club with a Canon 10D.
results from the Realist 3D camera immerse the viewer in the image
as no traditional 2D photograph can do but does requires a different
type of thinking for composition and content compare to normal photos.